color name
mineral
NO OF COLOURS
16
PILE
7/8/6/7 mM
DENSITY
10/34 Cut
COMPOSITION
85% wool / 15% silk
CONSTRUCTION
Indo Tibetan Knot
Mille Feuille
Mille Feuille is composed in layers, with sinuous movement that feels subtle, decadent, and intentionally understated. The design blends New Zealand Wool with Tencel or Mulberry Silk, creating a tonal surface with softness, depth, and dimension.
It carries the pleasure of layered materials, whether pastry, stone, paper, fabric, strata, or plaster, and rewards the closer look.
Mille Feuille is composed in layers, with sinuous movement that feels subtle, decadent, and intentionally understated. The design blends New Zealand Wool with Tencel or Mulberry Silk, creating a tonal surface with softness, depth, and dimension.
It carries the pleasure of layered materials, whether pastry, stone, paper, fabric, strata, or plaster, and rewards the closer look.
color name
mineral
NO OF COLOURS
16
PILE
7/8/6/7 mM
DENSITY
10/34 Cut
COMPOSITION
85% wool / 15% silk
CONSTRUCTION
Indo Tibetan Knot
Mille Feuille
Mille Feuille is composed in layers, with sinuous movement that feels subtle, decadent, and intentionally understated. The design blends New Zealand Wool with Tencel or Mulberry Silk, creating a tonal surface with softness, depth, and dimension.
It carries the pleasure of layered materials, whether pastry, stone, paper, fabric, strata, or plaster, and rewards the closer look.
color name
alabaster
NO OF COLOURS
16
PILE
7/8/6/7 mM
DENSITY
10/34 Cut
COMPOSITION
85% wool / 15% silk
CONSTRUCTION
Indo Tibetan Knot
Mille Feuille
Mille Feuille is composed in layers, with sinuous movement that feels subtle, decadent, and intentionally understated. The design blends New Zealand Wool with Tencel or Mulberry Silk, creating a tonal surface with softness, depth, and dimension.
It carries the pleasure of layered materials, whether pastry, stone, paper, fabric, strata, or plaster, and rewards the closer look.
color name
grey
NO OF COLOURS
16
PILE
7/8/6/7 mM
DENSITY
10/34 Cut
COMPOSITION
85% wool / 15% silk
CONSTRUCTION
Indo Tibetan Knot
Mille Feuille
Mille Feuille is composed in layers, with sinuous movement that feels subtle, decadent, and intentionally understated. The design blends New Zealand Wool with Tencel or Mulberry Silk, creating a tonal surface with softness, depth, and dimension.
It carries the pleasure of layered materials, whether pastry, stone, paper, fabric, strata, or plaster, and rewards the closer look.
color name
grey
NO OF COLOURS
16
PILE
7/8/6/7 mM
DENSITY
10/34 Cut
COMPOSITION
85% wool / 15% silk
CONSTRUCTION
Indo Tibetan Knot
Mille Feuille
Mille Feuille is composed in layers, with sinuous movement that feels subtle, decadent, and intentionally understated. The design blends New Zealand Wool with Tencel or Mulberry Silk, creating a tonal surface with softness, depth, and dimension.
It carries the pleasure of layered materials, whether pastry, stone, paper, fabric, strata, or plaster, and rewards the closer look.
color name
vapour
NO OF COLOURS
16
PILE
7/8/6/7 mM
DENSITY
10/34 Cut
COMPOSITION
85% wool / 15% silk
CONSTRUCTION
Indo Tibetan Knot
Mille Feuille
Riomaggiore
color name
7/8/6/7 mM
PILE
10/34 Cut
DENSITY
85% wool / 15% silk
COMPOSITION
Indo Tibetan Knot
CONSTRUCTION
16
NO OF COLOURS
Vitray
Tide Pool is inspired by the sand patterns at Playa La Ropa in Zihuatanejo, where water, stone, and shore create shifting natural rhythms. Meredith was drawn to the markings left behind as the tide pulls away, those temporary drawings made before anyone has tried to improve upon them.
The rug captures that interplay of tide and sand in a pattern that feels organic, transportive, and quietly alive.
Riomaggiore
color name
7/8/6/7 mM
PILE
10/34 Cut
DENSITY
85% wool / 15% silk
COMPOSITION
Indo Tibetan Knot
CONSTRUCTION
16
NO OF COLOURS
Vitray
Tide Pool is inspired by the sand patterns at Playa La Ropa in Zihuatanejo, where water, stone, and shore create shifting natural rhythms. Meredith was drawn to the markings left behind as the tide pulls away, those temporary drawings made before anyone has tried to improve upon them.
The rug captures that interplay of tide and sand in a pattern that feels organic, transportive, and quietly alive.
CHEMIN
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