color name
Aegean
NO OF COLOURS
50
PILE
5/— mm
DENSITY
100 knot Cut
COMPOSITION
100% wool
CONSTRUCTION
Tibetan Knot
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
color name
Aegean
NO OF COLOURS
50
PILE
5/— mm
DENSITY
100 knot Cut
COMPOSITION
100% wool
CONSTRUCTION
Tibetan Knot
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
color name
kraft paper
NO OF COLOURS
50
PILE
5/— mm
DENSITY
100 knot Cut
COMPOSITION
100% wool
CONSTRUCTION
Tibetan Knot
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
color name
shale
NO OF COLOURS
50
PILE
5/— mm
DENSITY
100 knot Cut
COMPOSITION
100% wool
CONSTRUCTION
Tibetan Knot
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
color name
shale
NO OF COLOURS
50
PILE
5/— mm
DENSITY
100 knot Cut
COMPOSITION
100% wool
CONSTRUCTION
Tibetan Knot
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
color name
winter smoke
NO OF COLOURS
50
PILE
5/— mm
DENSITY
100 knot Cut
COMPOSITION
100% wool
CONSTRUCTION
Tibetan Knot
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
color name
Rose Quartz
NO OF COLOURS
50
PILE
5/— mm
DENSITY
100 knot Cut
COMPOSITION
100% wool
CONSTRUCTION
Tibetan Knot
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
5/— mm
PILE
100 knot Cut
DENSITY
100% wool
COMPOSITION
Tibetan Knot
CONSTRUCTION
Aegean
color name
50
NO OF COLOURS
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
5/— mm
PILE
100 knot Cut
DENSITY
100% wool
COMPOSITION
Tibetan Knot
CONSTRUCTION
Aegean
color name
50
NO OF COLOURS
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
5/— mm
PILE
100 knot Cut
DENSITY
100% wool
COMPOSITION
Tibetan Knot
CONSTRUCTION
kraft paper
color name
50
NO OF COLOURS
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
5/— mm
PILE
100 knot Cut
DENSITY
100% wool
COMPOSITION
Tibetan Knot
CONSTRUCTION
shale
color name
50
NO OF COLOURS
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
5/— mm
PILE
100 knot Cut
DENSITY
100% wool
COMPOSITION
Tibetan Knot
CONSTRUCTION
shale
color name
50
NO OF COLOURS
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
5/— mm
PILE
100 knot Cut
DENSITY
100% wool
COMPOSITION
Tibetan Knot
CONSTRUCTION
winter smoke
color name
50
NO OF COLOURS
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
5/— mm
PILE
100 knot Cut
DENSITY
100% wool
COMPOSITION
Tibetan Knot
CONSTRUCTION
Rose Quartz
color name
50
NO OF COLOURS
Fade
Fade is one of MHC's clearest expressions of ombre, where the entire design depends on proportion, colour discipline, and the point at which one tone becomes another.
Meredith has always treated gradient as more than a transition from light to dark; it is about hesitation, depth, and the emotional temperature a colour brings into a room. Fade is pared back, but it is never passive.
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